Samurai Princess (jap. サムライプリンセス 外道姫, Samurai Purinsesu: Gedō-hime, dt. „Samuraiprinzessin: Abtrünnigenprinzessin“) ist ein japanischer. Schnittberichte, News (z.B. Uncut-DVDs & Blu-rays) und Reviews zu Samurai Princess - Devil Princess (OT: Samurai purinsesu: Gedô-hime | Japan, Samurai Princess ist ein japanischer Actionfilm mit Splatter-Einlagen aus dem Jahr Regie führte Kengo Kaji. Der Low-Budget-Film feierte seine Weltpremiere am Mai im Rahmen des zehnjährigen Jubiläums des Japan-Filmfest Hamburg. Die.
Samurai Princess - Devil PrincessKomplette Handlung und Informationen zu Samurai Princess. In einer fiktiven Welt, in der Samurai mit technischen Mitteln ausgestattet sind. Samurai Princess. Bewertung. Stars. Bewertung. Bilder. News. Kino- Programm. Samurai Princess. Originaltitel. Samurai purinsesu: Gedô-hime. Regie. Samurai Princess DVDs gebraucht und günstig kaufen. Jetzt online bestellen und gleichzeitig die Umwelt schonen. Samurai Princess im Zustand Gebraucht.
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Torii Mototada — was a feudal lord in the service of Tokugawa Ieyasu. On the eve of the battle of Sekigahara , he volunteered to remain behind in the doomed Fushimi Castle while his lord advanced to the east.
Torii and Tokugawa both agreed that the castle was indefensible. In an act of loyalty to his lord, Torii chose to remain behind, pledging that he and his men would fight to the finish.
As was custom, Torii vowed that he would not be taken alive. In a dramatic last stand, the garrison of 2, men held out against overwhelming odds for ten days against the massive army of Ishida Mitsunari's 40, warriors.
In a moving last statement to his son Tadamasa, he wrote: . It goes without saying that to sacrifice one's life for the sake of his master is an unchanging principle.
That I should be able to go ahead of all the other warriors of this country and lay down my life for the sake of my master's benevolence is an honor to my family and has been my most fervent desire for many years.
It is said that both men cried when they parted ways, because they knew they would never see each other again. Torii's father and grandfather had served the Tokugawa before him, and his own brother had already been killed in battle.
Torii's actions changed the course of Japanese history. Ieyasu Tokugawa successfully raised an army and won at Sekigahara.
The translator of Hagakure , William Scott Wilson , observed examples of warrior emphasis on death in clans other than Yamamoto's: "he Takeda Shingen was a strict disciplinarian as a warrior, and there is an exemplary story in the Hagakure relating his execution of two brawlers, not because they had fought, but because they had not fought to the death".
The rival of Takeda Shingen — was Uesugi Kenshin — , a legendary Sengoku warlord well-versed in the Chinese military classics and who advocated the "way of the warrior as death".
Japanese historian Daisetz Teitaro Suzuki describes Uesugi's beliefs as: "Those who are reluctant to give up their lives and embrace death are not true warriors Go to the battlefield firmly confident of victory, and you will come home with no wounds whatever.
Engage in combat fully determined to die and you will be alive; wish to survive in the battle and you will surely meet death.
When you leave the house determined not to see it again you will come home safely; when you have any thought of returning you will not return. You may not be in the wrong to think that the world is always subject to change, but the warrior must not entertain this way of thinking, for his fate is always determined.
Families such as the Imagawa were influential in the development of warrior ethics and were widely quoted by other lords during their lifetime.
Historian H. Paul Varley notes the description of Japan given by Jesuit leader St. Francis Xavier : "There is no nation in the world which fears death less.
He also observed: "The Japanese are much braver and more warlike than the people of China, Korea, Ternate and all of the other nations around the Philippines.
In December , Francis was in Malacca Malaysia waiting to return to Goa India when he met a low-ranked samurai named Anjiro possibly spelled "Yajiro".
Anjiro was not an intellectual, but he impressed Xavier because he took careful notes of everything he said in church.
Xavier made the decision to go to Japan in part because this low-ranking samurai convinced him in Portuguese that the Japanese people were highly educated and eager to learn.
They were hard workers and respectful of authority. In their laws and customs they were led by reason, and, should the Christian faith convince them of its truth, they would accept it en masse.
By the 12th century, upper-class samurai were highly literate because of the general introduction of Confucianism from China during the 7th to 9th centuries and in response to their perceived need to deal with the imperial court, who had a monopoly on culture and literacy for most of the Heian period.
As a result, they aspired to the more cultured abilities of the nobility. Examples such as Taira Tadanori a samurai who appears in the Heike Monogatari demonstrate that warriors idealized the arts and aspired to become skilled in them.
Tadanori was famous for his skill with the pen and the sword or the "bun and the bu", the harmony of fighting and learning.
By the time of the Edo period, Japan had a higher literacy comparable to that in central Europe. The number of men who actually achieved the ideal and lived their lives by it was high.
The Heike Monogatari makes reference to the educated poet-swordsman ideal in its mention of Taira no Tadanori's death: .
In his book "Ideals of the Samurai" translator William Scott Wilson states: "The warriors in the Heike Monogatari served as models for the educated warriors of later generations, and the ideals depicted by them were not assumed to be beyond reach.
Rather, these ideals were vigorously pursued in the upper echelons of warrior society and recommended as the proper form of the Japanese man of arms.
With the Heike Monogatari, the image of the Japanese warrior in literature came to its full maturity. Plenty of warrior writings document this ideal from the 13th century onward.
Most warriors aspired to or followed this ideal otherwise there would have been no cohesion in the samurai armies.
As aristocrats for centuries, samurai developed their own cultures that influenced Japanese culture as a whole.
The culture associated with the samurai such as the tea ceremony , monochrome ink painting, rock gardens and poetry was adopted by warrior patrons throughout the centuries — These practices were adapted from the Chinese arts.
Zen monks introduced them to Japan and they were allowed to flourish due to the interest of powerful warrior elites. Another Ashikaga patron of the arts was Yoshimasa.
His cultural advisor, the Zen monk Zeami, introduced the tea ceremony to him. Previously, tea had been used primarily for Buddhist monks to stay awake during meditation.
In general, samurai, aristocrats, and priests had a very high literacy rate in kanji. Recent studies have shown that literacy in kanji among other groups in society was somewhat higher than previously understood.
For example, court documents, birth and death records and marriage records from the Kamakura period, submitted by farmers, were prepared in Kanji.
Both the kanji literacy rate and skills in math improved toward the end of Kamakura period. Some samurai had buke bunko , or "warrior library", a personal library that held texts on strategy, the science of warfare, and other documents that would have proved useful during the warring era of feudal Japan.
One such library held 20, volumes. The upper class had Kuge bunko , or "family libraries", that held classics, Buddhist sacred texts, and family histories, as well as genealogical records.
Literacy was generally high among the warriors and the common classes as well. The feudal lord Asakura Norikage — AD noted the great loyalty given to his father, due to his polite letters, not just to fellow samurai, but also to the farmers and townspeople:.
There were to Lord Eirin's character many high points difficult to measure, but according to the elders the foremost of these was the way he governed the province by his civility.
It goes without saying that he acted this way toward those in the samurai class, but he was also polite in writing letters to the farmers and townspeople, and even in addressing these letters he was gracious beyond normal practice.
In this way, all were willing to sacrifice their lives for him and become his allies. In a letter dated 29 January , St Francis Xavier observed the ease of which the Japanese understood prayers due to the high level of literacy in Japan at that time:.
There are two kinds of writing in Japan, one used by men and the other by women; and for the most part both men and women, especially of the nobility and the commercial class, have a literary education.
The bonzes, or bonzesses, in their monasteries teach letters to the girls and boys, though rich and noble persons entrust the education of their children to private tutors.
Most of them can read, and this is a great help to them for the easy understanding of our usual prayers and the chief points of our holy religion.
In a letter to Father Ignatius Loyola at Rome , Xavier further noted the education of the upper classes:. The Nobles send their sons to monasteries to be educated as soon as they are 8 years old, and they remain there until they are 19 or 20, learning reading, writing and religion; as soon as they come out, they marry and apply themselves to politics.
They are discreet, magnanimous and lovers of virtue and letters, honouring learned men very much. In a letter dated 11 November , Xavier described a multi-tiered educational system in Japan consisting of "universities", "colleges", "academies" and hundreds of monasteries that served as a principal center for learning by the populace:.
But now we must give you an account of our stay at Cagoxima. We put into that port because the wind was adverse to our sailing to Meaco, which is the largest city in Japan, and most famous as the residence of the King and the Princes.
It is said that after four months are passed the favourable season for a voyage to Meaco will return, and then with the good help of God we shall sail thither.
The distance from Cagoxima is three hundred leagues. We hear wonderful stories about the size of Meaco: they say that it consists of more than ninety thousand dwellings.
There is a very famous University there, as well as five chief colleges of students, and more than two hundred monasteries of bonzes, and of others who are like coenobites, called Legioxi, as well as of women of the same kind, who are called Hamacutis.
These are situated round Meaco, with short distances between them, and each is frequented by about three thousand five hundred scholars. Besides these there is the Academy at Bandou, much the largest and most famous in all Japan, and at a great distance from Meaco.
Bandou is a large territory, ruled by six minor princes, one of whom is more powerful than the others and is obeyed by them, being himself subject to the King of Japan, who is called the Great King of Meaco.
The things that are given out as to the greatness and celebrity of these universities and cities are so wonderful as to make us think of seeing them first with our own eyes and ascertaining the truth, and then when we have discovered and know how things really are, of writing an account of them to you.
They say that there are several lesser academies besides those which we have mentioned. A samurai was usually named by combining one kanji from his father or grandfather and one new kanji.
Samurai normally used only a small part of their total name. A man was addressed by his family name and his title, or by his yobina if he did not have a title.
However, the nanori was a private name that could be used by only a very few, including the emperor. Samurai could choose their own nanori and frequently changed their names to reflect their allegiances.
Samurai's were given the privilege of carrying 2 swords and using 'samurai surnames' to identify themselves from the common people.
Samurai had arranged marriages, which were arranged by a go-between of the same or higher rank. However, sometimes fixing the game is beyond our control such as an issue that needs to be resolved by the game developer.
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Samurai Princess takes place sometime, somewhere in an alternate universe version of feudal Japan, where people live together with highly developed mechanical dolls called "Mechas".
However, excessively developed mechanical dolls start causing harm to human society, leading to ghastly bloodshed happening all over the place. Under the circumstances, Kyoraku, a mad scientist, creates a female ninja mechanical doll.
Equipped with eleven types of built-in weapons, the ninja doll is also infused with the souls of eleven of her fallen sisters.
When done right, they're endlessly entertaining. Samurai Princess is not one of the finer examples that I've seen.
The story is a revenge tale about a girl who becomes a Mecha super-powered humans modified with the body parts and souls of the dead.
She's searching for a group of men and two other Mechas who are responsible for the assault and dismemberment of a group of her friends.
The plot is not presented in such a straightforward way, though, and there's a revolving door of random characters that pop up spout some back-story, get in a fight or two, and then die or disappear.
The action scenes are weak, the attempts at humor come off as just weird, and not much of anything really makes sense.
Samurai Princess is definitely a low-budget affair, with most of the money seemingly going renting the various warehouses it was filmed in. The only real entertainment to be found is from wondering what inexplicable thing is going to happen next.
Watch if for that, or don't bother with it, at all. And please don't ask what the title has to do with the actual movie, because I've yet to figure that out.
Lewis C Super Reviewer. Jul 27, I got so interested in the recent blood-splatter Japanese tradition that this was a mandatory viewing.
Well, curiosity didn't only killed the cat: it dismembered it and torn its brain off. I am that poor cat.
Yeah, it's THAT fucked up. Edgar C Super Reviewer. May 16, A woman takes on the souls of eleven raped girls and becomes a cyborg to avenge them.
Played in a magical, mythical forest, the setting raises some potentially interesting fantasy ideas, but they're trampled over in a rush to get to the crazy and badly done gore scenes.
The version I saw was dubbed, which made it even worse.